It is much easier to try to get it right in camera rather than spend time correcting distractions in backgrounds later in post processing. Although one should never alter a scene in a public space like a botanic garden or national park, moving dead leaves or loose sticks out of the way or gently pulling back distracting elements and securing them with a clothespin or plamp, is acceptable as long as no damage is done to the plants. I am often surprised by how I can create a much different, stronger image just by changing my position slightly. Those small movements may help you eliminate a bright spot of light or other distracting elements, such as other stems or leaves. By moving just a fraction of an inch or reorienting yourself in a different direction, you can completely change a background. 100mm Macro Photography Lens, f/3.5 Pay Attention to Your Macro Photography Compositionīefore you compose your image or put your camera on a tripod, look through your viewfinder and move around, experimenting with different angles and compositions. Simplicity is essential to telling your story. What can I eliminate that doesn’t add to that story?Īs you are looking at the entire frame, ask yourself what is important to the image and what needs to be eliminated.What do I want to draw the viewer’s eye to in order to tell my story?.What drew me to this particular subject and how does it make me feel?.It is also important to take a few minutes to ask yourself: Slowing down and practicing mindfulness in your photography is essential for learning to see and control all the variables needed to create great images. Getting in this habit in the field will help you pay attention to your whole composition and create stronger images. Train Your Eye to Look at the Entire FrameĪs you look through your viewfinder, don’t just look at the main subject – examine the whole frame and patrol the edges to be aware of what is happening in the background. So how do we learn to master this challenging part of macro photography? Here are some ideas to help you. A goal in my personal photography and in my teaching others is to try to achieve the best possible background in camera and avoid spending needless time in post processing to remove distractions. A messy background with distracting elements can pull the eye away from the main subject, the star of the show, and compromise an image. In the field working with students new to macro photography, I often find that students are so entranced with their subject, they may not be paying attention to what is going on in the background. One of the most important and challenging variables to master in macro photography is how to create simple, clean backgrounds, free of distractions. The results speak for themselves.Let’s talk about backgrounds, the often overlooked part of macro photography images. With amazing timing and persistence, Markus is able to capture the ‘refraction’ of the image inside the droplet of water. In his series entitled Refractions, Markus takes high-speed photographs of water droplets as they fall in front of a background image. Much of his photography centers around water drops and the brilliant splashes, reflections and shapes they create. His 975-photo Flickr page is a constant source of wonder and inspiration, and I find myself checking in on his latest work often. The Sifter has already featured the amazing work of Markus Reugels, an incredibly talented German photographer that specializes in high-speed and macro photography.
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